Today I received an e-mail from someone that reads these forums, who took exception with some of my past postings.
This person was quite upset that in reading past topics that I have given my personal view that I prefer a two projector booth over a platter with one projector. The writer said:
I have been reading through old threads on big screen biz and cant help but notice the biased and innacurate information you have posted regarding platters.
Now I thought this was a place where we can openly discuss issues and give our opinions from our own years of experience. At no time do I believe that I have ever said that the subject that I am discussing is the ONLY correct way to do something. It is just my opinion, based on my own experience over the past 41 years that I have been in this biz.
The writer qualified himself thusly:
I have been a theatre manager, projectionist, and am a Technician with a national cinema service company and a Dolby certified sound technician. My opinion is that it is easier to change trailers or add a snipe onto a program with a platter than with reels. With reels you have to bring the reel to a bench, thread it onto another reel, take out what you want then change reels and add the new material then rewind the reel. On a platter all you have to do is remove the center ring break the splices lift out the old material then wind the new material onto a ring drop it in and make new splices.
That's great. A person with his experience should be able to do all of that, however I have to admit that I can do it all easier and quicker with reel to reel. I have operated 18 theatres over the years with both reel to reel and platters, and still prefer reel to reel. Most people that I know in this biz agree with me, but then maybe we just aren't as proficient as he is.
His actual preference is to have two projectors and a platter.
I will agree that if you only have one machine you could lose shows due to projector failure but I personally think you should have 2 machines and a platter that way if one machine is down you dont have to have intermissions.
Yes, that WOULD be wonderful. but how many of us can justify that expense. I can also proudly point out that with reel to reel I have NEVER lost a show during the 37+ years that I have operated my current theatre. How many platter booths can say that?
Once a platter is calibrated properly they do not damage film or break down any more often than any other piece of equipment, I feel they are much easier on the film and easier to operate.
I agree. It's not the equipment that is the problem, rather the operators of the equipment. There are more things an untrained projectionist can do to screw things up on a platter then on reel to reel. Why is it that most of the studios Classic Departments will not allow new prints of classic films to be shown on platters?
My point is that you are giving faulty information to people who don't have experience to know better, not only can you add or change trailers on a platter I think it is a lot easier.
Please remember that anything I post here (and I believe that pertains to anyone that posts here)is my personal opinion. Is that not why we are here? To exchange views? To give different viewpoints which will allow the reader to make an educated decision?
So if any of you new to these boards didn't heed my warning, and read this anyway, please remember that my opinions are just that... MY opinions, and nothing more.
[This message has been edited by RoxyVaudeville (edited January 26, 2008).]